In a nostalgia for feeling totally sterile endless tribal music. Great. The evening’s forbidding sonic atmosphere had been heralded in a press release, crafted by lead singer Genesis P-Orridge, which advertised “MUSIC FROM THE DEATH FACTORY.” It went on, From the outset, TG’s assignment was as much about making music as it was about finding new ways to, Where bands released albums and did promotion, TG would issue annual reports and press releases, and function under a corporate identity, complete with, And it was heavy. It’s the death factory society, hypnotic mechanical grinding, music of hopelessness. Instead, it effectively advanced a picture of a band, —ever-agitating and in constant flux. Emerging from that experimental daring, TG sought to forge a path and cut an edge beyond the limitations of the art world. “It was very literally an experiment,” recalled P-Orridge. “Let’s set up a band. Nothing in TG’s discography comes close to representing the band’s conceptual impetus than 20 Jazz Funk Greats. Now this part is all well known. Mute Records (1978 > TOMORROW) Thank you, your sign-up request was successful! Very English domestic. Therefore buyers may buy it thinking it was easy listening and then be shocked when they heard it! Pitchfork ranked 20 Jazz Funk Greats at number 91 in its list of the 100 greatest albums of the 1970s. ... Definitely in the sense that cover seems pretty warm and welcoming, only to have the music completely flip that around. 20 Jazz Funk Greats contains little to no jazz or funk, the cover is a ruse in the style of TISM's Machiavelli and the four seasons the unassuming backdrop is Beachy Head a popular suicide spot. On 20 Jazz Funk Greats, Throbbing Gristle modeled a critically new and highly promiscuous way of relating to or inhabiting musical genre - where punk rock was passionate and direct, TG were arch and mysterious, perverse and cold. Jest to pierwsze w pełni studyjne wydawnictwo zespołu; poprzednie płyty zawierały bowiem zarówno fragmenty ze studia nagrań, jak i koncertów. P-Orridge, in any case, had apparently been receiving grief from his mother for his work with TG. Artist: Throbbing Gristle. And the bad has to be spoken about. We were making information.”, To that end, TG’s members toyed with constructions. As P-Orridge once said of the band’s use of concentration camp imagery, “I’m fascinated with images that seem innocuous, unless you’re given additional information.”, Nothing in TG’s discography comes close to representing the band’s conceptual impetus than. Album: 20 Jazz Funk Greats. The tame cover photo shows the nattily dressed band - white disco j & also being one of those varied long-players common to that era (see Can's 'Tago Mago', Faust's 'IV' or Eno's 'Another Green World'). Daniel points out that 20 Jazz Funk Greats actually includes none, and plenty of both, the album representing TG’s unique tongue-in-cheek perspective on jazz music and funk, in addition to their normal industrial-strength Sturm und Drang. it's nice. On similar reissues of other TG material the other covers don't seem to collapse outwards and dilate, not sure why this one does it. Throbbing Gristle - 20 Jazz Funk Greats (1979) ... sequencing. Film music to cover the holocaust. 20 Jazz Funk Greats was the answer. my brother is nice, there are not many vocal but still makes us shake. , stormy with electronically treated violin and guitar, and sonorous with bass and synth echoes. my mum likes it. '20 Jazz Funk Greats' remains one of the key albums of the late-1970s - predicting most of what was to follow (electronica, industrial, avant-garde, ambient, new wave etc.) After several live shows and two albums of such viscerally and psychologically pummeling work, it had become for the band’s cult audience—alas!—an expectation. "20 Jazz Funk Greats" Track Info. '20 Jazz Funk Greats' remains one of the key albums of the late-1970s - predicting most of what was to follow (electronica, industrial, avant-garde, ambient, new wave etc.) The record is etched 0004, what you hear is the third and final report. It’s 1984. It was, said Tutti, “just to let [listeners] understand that this is a work in progress. It turned ostensibly disco, electronic, and ambient forays—from, Then the masterstroke: the album’s cover, photographed by Clay Holden, capturing the band standing breezily amid a serene pastoral scene—flowers in the foreground, a shore by the edge, a car parked in the background. And like the album’s contents, the packaging was all spoof. “We had started to get a following of people that seemed to think they knew what we were going to do,” said Tutti. “We want to keep people guessing,” wrote P-Orridge in 1978, “unsure where we fit in.”, Where bands released albums and did promotion, TG would issue annual reports and press releases, and function under a corporate identity, complete with logo and the commanding slogan, “Industrial Music For Industrial People.” P-Orridge explained in 2017, “There’s a difference between information and product. “We did the cover so it was a pastiche of something you would find in Woolworth’s bargain bin,” said Tutti. See what other people are saying about 20 Jazz Funk Greats by Throbbing Gristle and discuss your favourite songs with other fans on Last.fm. Year: 1979. “We did the cover so it was a pastiche of something you would find in Woolworth’s bargain bin,” said Tutti. 20 Jazz Funk Greats – trzeci album studyjny brytyjskiej grupy industrialnej Throbbing Gristle, wydany w 1979 roku. Per P-Orridge, “Our main goal was: ‘Whatever we did last time, we have to do the opposite this time.’” And as shown here, TG were not opposed to controverting themselves either. I am interested in what society, culture and human beings are capable of doing to one another, good and bad. Thee tribe of mutations, street gangs lobotomized in the Death Factory. Throbbing Gristle’s deceptively normal and presentable 20 Jazz Funk Greats is as good a place as any to start a music review blog, I think.In this review I’m going to set a precedent for future reviews. Jazz Funk Greats. I like it. referencing 20 Jazz Funk Greats, LP, Album, RE, RM, TGLP4 The outer sleeve craftsmanship for this is just awful. 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